Fiaf議程表 2007/4/7-4/10
▇ 2007年4月7日(六)
9:00
開幕
9:00-9:10
致辭
辻村哲夫Tetsuo Tsujimura
(東京国立近代美術館長)
9:10-9:15
Eva Orbanz (FIAF主席)
9:15-9:30
岡島尚志Hisashi Okajima
(東京国立近代美術館, NFC Chief)
9:30 -10:30
主題演講
Jean-Pierre Verscheure
電影遺產的保存 THE CONSERVATION OF THE HERITAGEOF THE FILM SPECTACLE
Session 1: FILM IN VARIETY
10:45
Egbert Koppe (德國聯邦檔案中心電影資料館,Berlin)
From flip-book to cinema: Broad gauges between 1895-1897 and their preservation
11:15
Camille Blot-Wellens (法國電影館 Cinematheque Francaise, Paris)
與非凡規格工作:西班牙電資館收藏的Joly-normandin、葡萄牙電資館和法國電資館的百代齒孔負片(Working with singular gages: The Joly-normandin collection of the filmoteca espanola and cinemateca portuguesa and the single perforation pathe negatives from the cinematheque francaise)
11:45
Eric Le Roy (法國電資館Archives Francaises du Film/CNC, Bois d’Arcy) Short-lived film formats in the french film archives
11:55
洪源 (香港電資館)Hand colour sound films in HK
12:20
Paolo Caneppele (奧地利電影博物館Osterreichisches, Wien)
Slide show projections in cinema and their interaction with film technology
12:30
午餐
14:00 – 14:40
Paul Read (FIAF Technical Commission)
It depends what you mean by short lived: Colour Film from a (short) technologist’s long view point
14:40 – 15:05
大口孝之 Takayuki Oguchi (大銀幕電影規格的研究學者)
日本的大銀幕電影規格
15:05 – 15:30
(Yoshiyuki Yahiro) 八尋義幸(福岡市総合図書館)Preservation of narrow gauge films in Japan: A case study of 8MM films
15:30 – 15:45
Break
15:45 – 16:10
Francisco Gaytán Fernández (墨西哥烏南電資館Fimoteca de la UNAM) 9.5MM 百代影片35MM影片(Optical printing machine of pathe film)
16:10 – 16:40
Patrick Loughney (George Eastman House, Rochester)A collection of 28MM, 22MM and glass-based disk movie formats at Geh
16:40 – 17:05
Discussion Chaired by Patrick Loughney
▇ 2007年4月8日(日)
Session 2: MADE IN JAPAN
Chaired by Yoshiro Irie(入江良郎)
9:00 – 9:25
板倉史明(Fumiaki Itakura) (NFC)、松本夏樹(Natsuki Matsumoto) (電影收藏家/史學家) 紙影片:歷史和保存
9:25 – 9:50
松本夏樹、小崎泰嗣(Taiji Kozaki)(辯士)日本最老的動畫:展示家鄉神奇燈籠和玩具影片的文化
9:50 – 10:15
太田米男(Yoneo Ota)(大阪芸術大学)
日本玩具影片的歷史和保存的挑戰
10:15 – 10:30
Break
10:30 – 10:55
草原真知子(早稲田大学)Machiko Kusahara
早期有聲時代 BABY TALKIE AND ITS ERA
10:55 – 11:10
岡田秀則(Hidenori Okada)(NFC)
日本重覆使用的電影片 RECYCLED MOTION PICTURE FILMS IN JAPAN
11:10 -11:35
芝綾子(影繪人形劇研究員)Ayako Shiba影繪人形劇(UTSUSHI-E):保存和傳承國家資產
11:35 – 12:00
Discussion Chaired by Yoshiro Irie(入江良郎)
12:00 – 13:30
Lunch Break
13:30 - 14:10
特別表演:影繪人形劇
Minwa-za (山形文雄、田中祐子Fumio Yamagata and Yuko Tanaka).
Session 3: ARTIFACTS OR FACTS OF ART
Chaired by Errki Huhtamo (University of California Los Angeles)
14:10 – 14:30
Laurent Mannoni (法國電影館)
Pre-cinema artifacts: How we should preserve them
14:30 – 14:50
Donata Pesenti Campagnoni (義都靈電影博物館Museo Nazionale del Cinema, Torino) 電影規格的考古學研究
14:50 – 15:20
Rosario López de Prado (西班牙電資館, Madrid)
Cataloguing non-film collections, processes and problems and their relation to film collections
15:20 – 15:35
Break
15:35 – 16:05
Nikolaus Wostry (奧地利電資館, Wien)
A study of early nitrate硝酸片 material and historical projection
16:05 – 16:25
Egbert Koppe (B德國聯邦檔案中心電影資料館,Berlin)
Treasure chest of sound film
16:35 – 16:50
Erkki Huhtamo (University of California Los Angeles)
The urban spirograph呼吸運動紀錄器, or an archeology of a loser(?)
16:50 – 17:15
DiscussionChaired by Erkki Huhtamo.
17:15 – 17:30
Conclusion: A panel by Jean-Pierre Verscheure, Patrick Loughney, Yoshiro Irie and Erkki Huhtamo, moderated by Hisashi Okajima
17:30 – 17:35
Closing
Address by高野悦子Etsuko Takano (NFC榮譽館長)
18:45-20:50
at Yurakucho Asahi Hall
有楽町朝日ホール
特別放映:衣笠貞之助【瘋狂的一頁】KURUTTA IPPEIJI (A Page of Madness/A Disordered Page) Directed by Teinosuke Kinugasa (1926, 黑白, 默片, 35mm, 79 分 [18 fps], 1:1.33[full-frame]);With piano accompaniment by 高橋悠治(Yuji Takahashi); Preserved and restored by NFC; Lab work done by IMAGICA West Corp, Osaka.
11th floor of Yurakucho Mullion Building, 15-minute walk from NFC
21:00-22:30
3-D Special Presentation: NFC Presented by Stefan Drössler (Filmmuseum im Munchner Stadmuseum, Munchen慕尼黑) @ Cinema2
▇ 2007年4月9日(一)
SECOND CENTURY FORUM
Overture to FIAF Declaration on Fair Use and Access
9:00
Opening Address by Antti Alanen and Paolo Cherchi Usai
9:10
1. Copyright in Asia
Sungji Oh呉聖智(韓電資館, Seoul)韓國的著作權
9:25
2. Akira Tochigi (NFC) 日本的著作權
10:00
3. The ACE/FIAPF Agreement and the New Model Contract(?) (2007)Presented by Gabrielle Claes (Cinematheque Royale de Belgique, Bruxelles) ヨーロッパ・シネマテーク協会と国際映画製作者連盟の合意書と新しい契約モデル
10:30
Break
11:00
3. FIAF Declaration on Fair Use and Access Presented by Patrick Loughney (George Eastman House, Rochester)
12:00
Symposium Paris 2008
Presented by Eric Le Roy (法國電資館)
Workshop: Film Archive Management Part II
14:00-15:30
@ Cinema 1
Organized by FIAF Executive Committee and chaired by Eva Orbanz (President of FIAF).
Possible speakers will include: Vladimir Opela (Narodni Filmovy Archiv, Praha), Christian Dimitriu (Senior Administrator of FIAF, Bruxelles), and more.
14:00-16:00
@Conference Room 1
CDC Workshop Organized by FIAF Cataloguing and Documentation Commission and chaired by Nancy Goldman (Pacific Film Archive, Berkeley).
16:00-18:00
at Cinema 1
Organized by FIAF Technical Commission and chaired by Thomas C. Christensen (Danish Film Institute, Kobenhavn).
19:00-21:00 @ Cinema 1
Evening Screening Program: a series of screenings will showcase recent achievements of film restoration made by NFC and other film institutions in Japan. Archivists from each institution will introduce their films.
【広島市映像文化ライブラリー提供】○少年諸君(28分・24fps・35mm・白黒・無声)1932(兄弟プロダクション)監督:高田保【フィルムセンター所蔵作品】○煙り草物語(3分・24fps・35mm・無声・染色)1926(東京自由映画社)監督:大藤信郎○中山七里(37分・21fps・35mm・白黒・不完全)1930(発声映画)監督:落合浪雄○RHYTHM[リズム](2分・16fps・35mm)○PROPAGATE[開花](4分・16fps・35mm)○AN EXPRESSION[表現](3分・30fps・35mm)1935 監督:荻野茂二○かわいい魚屋さん(3分・35mm・カラー)1953(小西六写真工業)監督:新村士行○銀輪(12分・35mm・カラー・英語版・日本語字幕なし)1955(新理研映画)監督:矢部正男、松本俊夫、樋口源一郎
▇ 2007年4月10日(二)
參觀行程
富士片廠
日本電影資料館片庫
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